No. 4 (2021): Copy / False / Fake

Editorial

Editorial

Manuela Ghizzoni, Elena Musiani

6-21
- PDF
Beyond the Truth. Copy/False/Fake

Alessandro Luigini, Valeria Menchetelli

22-35
- PDF

Contributions

The 'Original' Fake

Marinella Arena

36-61
- PDF
Ercole Farnese 4.0. Copy of Copy of Copy (almost Original)

Paolo Belardi

62-77
- PDF
Representation between Art and Imitative Structure

Stefano Chiarenza, Barbara Messina

78-95
- PDF
Citation, Tribute, Remake, Plagiarism. Overlaps and Borders in Movies

Daniele Colistra

96-115
- PDF
Forgery and Narrative in Architecture Design Communication

Fabio Colonnese

116-133
- PDF
Sum or Total? The Case of the Cistercian Monastery in Miami

Fabio Colonnese, Maria Grazia D'Amelio, Lorenzo Grieco

134-155
- PDF
The Cultural Value of the Copy in the Museum Domain

Massimiliano Lo Turco, Elisabetta Caterina Giovannini, Andrea Tomalini

156-179
- PDF
Manipulation, Retouching and Staging: The Debate on Veracity of Documentary Images in Digital Era. Some Cases Compared

Edoardo Maggi

180-203
- PDF
The Cultural Reception of Reproduction in the 21st Century. Canova, Piranesi and the Use of Technology for Original Creations

Elena Merino Gómez, Fernando Moral Andrés, Chiara Casarin

204-223
- PDF
Aura, Provenance, Fakes & Forgeries. Exploring the Pitfalls of Provenance and how this Can Enhance the Agenda of Fakes and Forgeries in the Art World

Aimee Murphy

224-241
- PDF
Using 3D Reproductions of Archaeological Objects in Museum Education Context. A Learning Experience within an Etruscan Musical Collection

Antonella Poce, Maria Rosaria Re, Mara Valente, Carlo De Medio

242-261
- PDF
From Authentic to Realistic, from True to Plausible: the Digital Architectural Survey between the Real and the Virtual

Paola Puma, Giovanni Anzani

262-283
- PDF
About Buying a Fake Version of a Counterfeit £10 Note

Federico Rebecchini

284-299
- PDF
Seduction or Proof? Revealing Assumptions in the Negotiation of Perceived Reality Through Images

Michael Renner, Kambiz Shafei

300-321
- PDF
The Aesthetic of Right. How Historical Fake Feeds Populist Agendas

Giuseppe Resta, John Gatip

322-341
- PDF
The “MemO” Project: the Study, Digitalisation and Value Enhancement of Greek and South-Italian Pottery in Veneto. The Issue of Forgery

Monica Salvadori, Monica Baggio, Luca Zamparo

342-363
- PDF

Composite

Homological Relations Between Graphic-Geometric Descriptive / Projective Models. Principle of Virtual Works in Descriptive Geometry

Andrea Donelli

364-381
- PDF
Prospectiva Pingendi, Prospectiva Fingendi. For a History of the Different Rules of Practical Perspective

Jessica Romor

382-401
- PDF
Once Upon a Time there were Fireworks. The New Nocturnal Drones Light Shows

Ornella Zerlenga, Vincenzo Cirillo, Rosina Iaderosa

402-425
- PDF

No. 4 (2021): Copy / False / Fake

Full Issue

Editorial

Editorial

Beyond the Truth. Copy/False/Fake

Contributions

The 'Original' Fake

Ercole Farnese 4.0. Copy of Copy of Copy (almost Original)

Representation between Art and Imitative Structure

Citation, Tribute, Remake, Plagiarism. Overlaps and Borders in Movies

Forgery and Narrative in Architecture Design Communication

Sum or Total? The Case of the Cistercian Monastery in Miami

The Cultural Value of the Copy in the Museum Domain

Manipulation, Retouching and Staging: The Debate on Veracity of Documentary Images in Digital Era. Some Cases Compared

The Cultural Reception of Reproduction in the 21st Century. Canova, Piranesi and the Use of Technology for Original Creations

Aura, Provenance, Fakes & Forgeries. Exploring the Pitfalls of Provenance and how this Can Enhance the Agenda of Fakes and Forgeries in the Art World

Using 3D Reproductions of Archaeological Objects in Museum Education Context. A Learning Experience within an Etruscan Musical Collection

From Authentic to Realistic, from True to Plausible: the Digital Architectural Survey between the Real and the Virtual

About Buying a Fake Version of a Counterfeit £10 Note

Seduction or Proof? Revealing Assumptions in the Negotiation of Perceived Reality Through Images

The Aesthetic of Right. How Historical Fake Feeds Populist Agendas

The “MemO” Project: the Study, Digitalisation and Value Enhancement of Greek and South-Italian Pottery in Veneto. The Issue of Forgery

Composite

Homological Relations Between Graphic-Geometric Descriptive / Projective Models. Principle of Virtual Works in Descriptive Geometry

Prospectiva Pingendi, Prospectiva Fingendi. For a History of the Different Rules of Practical Perspective

Once Upon a Time there were Fireworks. The New Nocturnal Drones Light Shows

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