Ghosting About. Notes on Indeterminacy as Method
DOI:
https://doi.org/10.60923/issn.2724-2463/21493Keywords:
Post-Image, Liminality, Radical Practices, MistAbstract
The aim of this paper is to propose an approach—structural, conceptual, and aesthetic—that radically departs from the pre vailing obsession with content and genre. Instead, it explores alternative pathways drawn from research and artistic practices at the periphery of vision: a descent into the purgatorial waiting rooms of the unspoken, the out-of-focus, the off-screen. The attempt is to extend the gaze beyond objective visibility, in the hope of uncovering new vitality in artistic thought and practice. Or, rephrasing the title of this writing, to re instate excitement and attraction towards what is secret, subliminal, enshrouded in the haze of latency.
References
Antoniades, T. (2017). Hellblade: Senua’s Sacrifice. Ninja Theory.
Antoniades, T., & Derham, L. (2024). Senua’s Saga: Hellblade II. Ninja Theory/Xbox Game Studios.
Attali, J. (1985). Noise. The political economy of music. Minneapolis, MN: University of Minnesota Press.
Beckett, S. (1983). Worstward ho. London, UK: Calder Publications Limited.
Benjamin, W. (1936). The work of art in the age of mechanical reproduction. H. Arendt (Ed.). New York, NY: Schocken/Random House.
Boccioletti, E. (2011). Daniel A. King 3361 Pratt Avenue Stanwood, WA 98292. Courtesy the artist.
Boccioletti, E. (2019). LOOMER. Courtesy the artist.
Boccioletti, E. (2019). Quando non c’è più niente da bruciare devi darti fuoco tu (NIGHTMARE B4 XMAS). Courtesy the artist and TILE, Milan.
Boccioletti, E. (2023). Julian Assange dancing 800% slower. Courtesy the artist.
Chan, P. (2009). What art is and where it belongs. e-flux Journal, (10). http://worker01.e-flux.com/pdf/article_95.pdf
Cusack, P. (2012). Sounds from dangerous places. ReR Megacorp/Berliner Künstlerprogramm des DAAD.
Dean, T. (2001). The green ray. Courtesy of the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris.
Eliot, T. S. (1943). Four quartets. Boston, MA: Houghton Mifflin Harcourt.
Ferrari, L. (2012). Presque rien. Editions Mego/Recollection GRM/INA.GRM.
Ferrari, L. (2017). Hétérozygote/Petite symphonie intuitive pour un paysage de printemps. Editions Mego/Recollection GRM/INA-GRM.
Laric, O. (2010). Versions. Courtesy of the artist and Tanya Leighton, Berlin/Los Angeles.
Lazzarato, M. (2014). Marcel Duchamp and the refusal of work. Los Angeles, CA: Semiotext(e).
Lütticken, S. (2014, February 1). Liberation through laziness. Some chronopolitical remarks. Mousse Magazine. Retrieved February 24, 2025, Available at: https://www.moussemagazine.it/magazine/sven-luetticken-refusal-2014/
Mansfield, K. (1988). The garden-party and other stories. C. Hankin (Ed.). Auckland, NZ: Century Hutchinson New Zealand Ltd.
Marker, C. (1983). Sans soleil. Argos Films.
Smith, M. E. (2017). Untitled. Courtesy the artist and KOW, Berlin.
Steyerl, H. (2013). Too much world: Is the internet dead? E-flux Journal, (Issue #49). Retrieved February 21, 2025, from https://www.e-flux.com/journal/49/60004/too-much-world-is-the-internet-dead/
Stilnović, M. (1993). Praise of laziness. Retrieved February 24, 2025. Available at: https://mladenstilinovic.com/works/10-2/
Toyama, K. (1999). Silent hill. Konami Group Corporation.
Tsu, L. (1972). Tao te ching: a new translation by Gia-Fu Feng and Jane English. New York, NY: Vintage Books/Random House.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Enrico Boccioletti

This work is licensed under a Creative Commons Attribution 4.0 International License.