Ex-Movère. Narrating Places with Images
DOI:
https://doi.org/10.6092/issn.2724-2463/15120Keywords:
architecture, drawing as a tool, editing, images, narrationAbstract
Through paintings, engravings, short texts it is possible to know a place and at the same time discover the propensities, interests, ideological inclinations of each author. Engravings, paintings, photographs, clips are indispensable materials for the architect who intends to recompose places fragmented by the events of history, such as archaeological sites. The drawings of Jean-Pierre Houël, Karl Friedrich Schinkel, the photographs of Josef Koudelka and the reworkings of Massimiliano Gatti, although distant in time, have in common the story of the natural harmony between architecture, archeology, and nature. The Percorsi architettonici of Sergej Michajlovič Ėjzenštejn introduce the way of doing architecture of Dimitris Pikionis and Pierre-Louis Faloci: editing is used as a method to compose sequences of spaces. The conclusion refers to the role of drawing as a tool in architecture with reference to a research project underway at the PhD ‘Architecture, Arts and Planning’ of the University of Palermo.
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Copyright (c) 2022 Alessandra Palma
This work is licensed under a Creative Commons Attribution 4.0 International License.